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	<title>scribegrrrl.com &#187; Allison Janney</title>
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		<title>dames on stage</title>
		<link>http://www.scribegrrrl.com/2009/10/dames-on-stage/</link>
		<comments>http://www.scribegrrrl.com/2009/10/dames-on-stage/#comments</comments>
		<pubDate>Mon, 05 Oct 2009 18:57:50 +0000</pubDate>
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				<category><![CDATA[theater]]></category>
		<category><![CDATA[Allison Janney]]></category>
		<category><![CDATA[Carrie Fisher]]></category>
		<category><![CDATA[Dianne Wiest]]></category>
		<category><![CDATA[Janet McTeer]]></category>
		<category><![CDATA[Martha Plimpton]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[Patti LuPone]]></category>
		<category><![CDATA[Stockard Channing]]></category>
		<category><![CDATA[Tyne Daly]]></category>

		<guid isPermaLink="false">http://www.scribegrrrl.com/?p=177</guid>
		<description><![CDATA[If the camera adds 10 pounds, the stage takes off 10 pounds — or, more accurately, it turns a blind eye, emphasizing mirth over girth and preferring substance to surface.]]></description>
			<content:encoded><![CDATA[<p>Last week I saw Carrie Fisher&#8217;s one-woman show <em>Wishful Drinking</em>, which opened on Broadway last night (I saw a preview). It was a thrill from the moment I saw her name on the placard outside: &quot;The Company: Carrie Fisher.&quot;</p>
<p align="center"><img src="http://www.scribegrrrl.com/images/dames/wishful1.jpg"></p>
<p>My expectations were pretty high, simply because I&#8217;ve loved her for so long, but she exceeded them. The New York Times calls her wit &quot;<a href="http://theater2.nytimes.com/2009/10/05/theater/reviews/05brantley.html" target="_blank">brut-dry</a>,&quot; and I think that&#8217;s perfect. It&#8217;s so dry, it leaves you thirsty for more. She&#8217;s had a remarkable life, and she sees it clearly. I hope she continues to share the view with the rest of us.</p>
<p align="center"><img src="http://www.scribegrrrl.com/images/dames/wishful2.jpg"></p>
<p>(The Times has a clip of the show <a href="http://theater2.nytimes.com/2009/10/05/theater/reviews/05brantley.html" target="_blank">here</a>.)</p>
<p><em>Wishful Drinking</em> includes a riff about Fisher&#8217;s <a href="http://carriefisher.com/?p=462" target="_blank">recent struggle</a> with the mean things people say online, particularly about &quot;fat&quot; women. I got to thinking about this after the show (while walking the dog, which is always a good setting for analyzing pop culture. And poop culture, incidentally.). It seems to me that if the camera adds 10 pounds, the stage takes off 10 pounds &mdash; or, more accurately, it turns a blind eye, emphasizing mirth over girth and preferring substance to surface.</p>
<p>And that means I&#8217;ve had the privilege of seeing some phenomenal women onstage &mdash; women Hollywood deems too old, too fat, too whatever. Here are some of my recent favorites:</p>
<p><strong>Janet McTeer</strong></p>
<p align="center"><img src="http://www.scribegrrrl.com/images/dames/marystuartcover.jpg"></p>
<p>Even theater critics can&#8217;t help but remark on McTeer&#8217;s &quot;unfeminine&quot; features &mdash; they use adjectives like &quot;strapping&quot; to describe her, which of course just makes me think of &quot;strapping&quot; as a verb. Followed by a preposition. Anyway, she&#8217;s simultaneously beautiful and handsome, and I&#8217;m glad we get to witness that on stage (and occasionally in <a href="http://awards.tv.yahoo.com/nominees/430-janet-mcteer" target="_blank">Emmy-winning miniseries</a>). Her performance in <em>Mary Stuart</em> was breathtaking, especially when her character (the imprisoned should-be queen) tasted freedom and rain.</p>
<p align="center"><img src="http://www.scribegrrrl.com/images/dames/mcteer_rain.jpg"></p>
<p><strong>Stockard Channing</strong></p>
<p align="center"><img src="http://www.scribegrrrl.com/images/dames/joey.jpg"></p>
<p>Channing played the MILF to end all MILFs in <em>Pal Joey</em>. The show itself wasn&#8217;t that great, but Channing oozed sex and wisdom &mdash; and she hasn&#8217;t been allowed to do that on film since <em>The Business of Strangers</em>.</p>
<p><strong>Allison Janney</strong></p>
<p align="center"><img src="http://www.scribegrrrl.com/images/sunshine/janney.jpg"></p>
<p>Yes, Hollywood still loves Janney, but mostly as a character actress. In <em>9 to 5</em>, she was the undisputed star. Not too tall, not too old, and perfectly suited (suited! get it?) to run a corporation.</p>
<p><strong>Tyne Daly</strong></p>
<p align="center"><img src="http://www.scribegrrrl.com/images/dames/daly.jpg"></p>
<p>Well, I haven&#8217;t actually seen this one yet, but Daly is part of the rotating cast of Nora and Delia Ephron&#8217;s <em>Love, Loss and What I Wore</em>. I have been in love with her since 1982, and she&#8217;s getting more and more gorgeous by the year. In <em>Love, Loss</em>, she plays the same character at several different ages, from girlhood on up. Yet <em>Grey&#8217;s Anatomy</em> could only see her as a grandmother. Bah.</p>
<p><strong>Martha Plimpton<br />
</strong></p>
<p align="center"><img src="http://www.scribegrrrl.com/images/dames/plimpton.jpg"></p>
<p>Forget <em>The Goonies</em> &mdash; really, forget them. Plimpton would like you to banish that movie from your mind. She&#8217;s done so much since then, and she actually outshined the luminous Stockard Channing in <em>Pal Joey</em> (who knew she could sing that well?!). And a couple of months before that, she played both a mannish Pope Joan and a thwarted working-class adolescent in <em>Top Girls</em>. And again, what did she get to play on <em>Grey&#8217;s Anatomy</em>? A long-suffering mom. Please.</p>
<p><strong>Dianne Wiest</strong></p>
<p align="center"><img src="http://www.scribegrrrl.com/images/dames/wiest.jpg"></p>
<p>She&#8217;s a bit of an exception in Hollywood &mdash; her plum role on <em>In Treatment</em> has earned her Emmy nods and much respect. But what&#8217;s the likelihood of her playing a sensual diva in a film or on TV? That&#8217;s what she did off-Broadway, in <em>The Seagull</em>. Sure, she wasn&#8217;t quite as good as the <a href="http://www.playbill.com/news/article/115719-Chiwetel_Ejiofor_and_Kristin_Scott_Thomas_Win_2008_Laurence_Olivier_Awards" target="_blank">Olivier-winning Kristin Scott Thomas</a>, but she was more than equal to the material, not to mention the star quality. The word &quot;prime&quot; comes to mind.</p>
<p><strong>Patti LuPone</strong></p>
<p align="center"><img src="http://www.scribegrrrl.com/images/dames/lupone.jpg"></p>
<p>Remember LuPone in <em>Life Goes On</em>? Her life has gone on and on &mdash; to empyreal heights in <em>Gypsy</em> this past summer. It was so good, I saw it three times, and I&#8217;d see it three more if I could. The word &quot;sexy&quot; appeared in many reviews, and she channeled a kind of power and madness that&#8217;s rarely seen in female roles on screen. It was almost scary.</p>
<p>There are more where those came from, and I&#8217;m looking forward to others in the new Broadway season. And of course there are a few exceptions on film and on TV &mdash; Glenn and Meryl are the obvious ones &mdash; but it would be difficult to come up with a list like this. I think Carrie Fisher would agree that the stage is the true home of real women. Hollywood prefers sex dolls.</p>
<p align="center"><img src="http://www.scribegrrrl.com/images/dames/leia.jpg"></p>
<p>(The Princess Leia sex doll shows up in <em>Wishful Drinking</em> too. Of course!)</p>
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